North to South

Illustration by Poelosophy

Indonesian artist, Poelosophy, created some concept art for my novel. There is an exhibit in Dublin, ‘North to South’, which features aboriginal art from Northern Europe and South America. The exhibit is the setting for a scene entitled ‘Big Daddy Pharma’.

Thank you for leaving encouraging words for me when I wrote about the impossible task of getting promotional work done. I’m still processing ideas and will be working on them as I go. Feeling like giving up is part of the journey. But I was amused at suggestions that I should actually toss my project. Hold on a second. I haven’t tried everything yet.

North to South – illustration by Poelosophy

And I am quite sure that if someone were to lend me their celebrity friends and let me slobber all over them in the club, my novel would get downloaded really fast. A Russian woman who pretended to be a German heiress, and stole millions, has deals with Netflix and Shonda Rhimes. Other people, who look different, would be rotting, anonymously, in jail. So let’s be realistic about what’s going on out here.

In the past, I would have been totally destroyed by “delete your book” remarks. But Fifty Shades fan fiction 365 Days was optioned by Netflix. The film skyrocketed to first place last weekend. It tells the story of a gangster who kidnaps a woman, ties her up, and assaults her for an entire year so she will fall in love with him. Even the people who said they hated it, watched it to the end, and uploaded reviews to their YouTube channels. In other words, the release was a success.

If that film is out there, it means two things. One, thinking in terms of ‘good writing’ or ‘bad writing’ is unhelpful. Two, the universe now needs to be balanced, so I will be publishing my novel.

Perceived quality is not a metric that can be influenced by hand-wringing. Instead of telling people what they should/shouldn’t like, I should focus on finding (a) people who will read anything, (b) people who like everything they read, (c) people who like to read full-length novels on mobile devices and (d) people who collect ebooks.

The search continues …

Have a great week ahead.

Cara de la Reina

The mural "Cara de la Reina" is featured in my novel, The Quarter Percent. This graffiti style illustration was created for me by Emanuel Malu at Saita Studio.
The mural “Cara de la Reina” is featured in my novel, The Quarter Percent. This graffiti style illustration was created for me by Emanuel Malu at Saita Studio.

As I have discussed before, my amazing book promotion campaign fell flat because everyone I approached wanted me to be a popular author before agreeing to help me promote my book. Gah!

Over the weekend, I decided to beta test the promotion of a promotional copy of my novel, The Quarter Percent. After receiving a copy formatted for Kindle from the book designer, I wanted to see how a free PDF copy would be received by an influencer who has a large audience of avid e-book readers. This person’s audience only wants fiction books that are FREE or which cost $0.99. Perfect for a beta test? Or so I thought.

After three days of discussions, I was floored when this influencer insisted, today, that the book be published to Amazon first. He also asked me, “But how will you benefit from people reading it?” I am confused. Isn’t the point of publishing a novel to have people read it?

In other words, his audience is not interested in books that are cheap or free. They want popular releases for free or at a super discount. Yet, the advice I have received is to give away promotional copies of my novel to generate buzz. That makes no sense, you say? Large film studios deal with this nonsense, too. That is why they leak promotional copies of new releases to torrent sites.

My confusion arises from the fact that official publication on Amazon defeats the purpose of beta testing the novel with readers in different locations, and watching how they respond to it. I need this information so I can know how and where to promote the story. What I don’t want is readers who are not the intended audience to write reviews on the Amazon page complaining that the novel has words and that the themes are ‘difficult’.

I used to joke that I am an alien from outer space. But I am beginning to believe that either I stepped into a wormhole and this is the underverse, or the inhabitants of this planet are insane.

A tale in the crypt

Gala meets Velour’s First Minister

Jennifer Horn has done a fantastic job again creating this storyboard for a key scene for my novel, The Quarter Percent.

In the first scene of the final chapter, Gala and the First Minister of Velour are in the crypt of Ruby Palace. On screen is a replay of the ‘fall of the house of Moss’. At a prestigious awards ceremony, in front of the crowned heads of the Continent, Mrs. Moss spills the dirt on the Continent’s aristocrats. Gala explains that it is her system of interpersonal sabotage.

Morse coded message I created online

In the epilogue, one of the characters receives an invitation card on his breakfast tray. The card is written in Morse. He presses it to the screen of his tablet to translate the message.

(^ω^)


Have a happy week ahead, everyone.

Illustrations

Gala and Cordial of Vale – Illustrations by Victoria Seow

So after literally a week of gymnastics and writing while standing on my head, I’ve managed to format my fiction novel. And rework the timeline after finding out I have physically shredded five key scenes, which I wrote longhand. The novel is completely re-drafted. Edited, done. Not only that, I’ve managed to weave a coherent timeline for all of the scenes. On top of that, the conclusion is tight, the prologue is tight, and the epilogue is tight. I even have a brilliant idea for cover art.

Augustine Santa Clara- Illustration by Victoria Seow

But guess what? The geopolitics is mucked. The Monarchy of Vale (the fictional name of my country) has to be landlocked for the story to work. My protagonist is an absolute monarch of a fictional country that’s needing to negotiate with trade partners, also fictionalised.

My basis for designing the Continent was Europe, with different borders, same cities but different country names. But the m-effing European Union, in real life, it’s just sat there. It already has a trade bloc and negotiates on behalf of member states. While editing, I realise cannot use the word “Europe” or euro as currency. I could use a pound but then readers will be confused, thinking I’m talking about the UK. I am not.

I know I’m overthinking this. I know it’s fiction. But you know how certain types of people are. They immediately start fact checking your fiction. Do you guys remember Pandora? Pandora, my retelling of a doesn’t exist mythological creature entity person. Got Wikipediaded!!!

I know myself. I will trash that thing if someone bothers me.

I might have to situate this entire story on a completely different planet where the sentient beings are octopuses.

Special thanks to Victoria Seow / sunflowerfox for drawing these characters from my novel.

I went and did a thing

Greetings, everyone. Since my amazing book promotion idea got twisted in the game, I had a few other ideas. One person who helped me is Australian illustrator, Jennifer Horn. She created these storyboards for some key scenes in my novel, which I am calling The Quarter Percent. I asked for rough sketches because I’m redrafting at the moment. Here are three of the key scenes.


Rue and Karl – Illustration by Jennifer Horn

Rue and Karl are now friends after their bitter divorce ten years earlier. Karl reminds Rue that he has custody of their frozen embryos from the divorce. They are about to be destroyed. Karl proposes that they start a family instead. Rue agrees, on condition that they ask three gestational carriers to carry the babies at the same time. She also decides to publicise the news of the surrogacy to stir up controversy, which will drum up business for her luxury yacht building company. That decision will backfire because…

Costmary and Karen – Illustration by Jennifer Horn

Costmary’s private dispute with her father, Cordial, has leaked to the press. Social media is Team Costmary. The public takes her sister, the thrice-divorced Rue, to task for promoting a ‘happy families’ image in light of her sister’s hardship. Costmary is having crisis talks with her publicist and friend, Karen. Earlier that day, Cordial had filed a vaguely worded writ against his subjects. Reading between the lines, journalists guessed correctly that the writ was meant for Costmary. To make matters worse, he served her with a €45 billion lawsuit. It represents the stock value of her vegan brand, Costmary’s Farm. Her father’s latest salvo has come as a shock.

Cordial and Marvin – Illustration by Jennifer Horn

Rue and Costmary’s father, Cordial, is distracted at the moment. Three weeks before the closing deadline of a multinational trade deal, he is having a video chat with the reclusive Marvin Stone, CEO of Marvin Stone Technologies, LLC. Marvin has launched a brand new, super exclusive insurance policy that only a quarter of the one percent can afford. Marvin invited twenty-three individuals to sign up for the policy. Cordial is angry because he was not on the list. But Marvin excluded him on purpose. It seems the strategy was effective.

+ – <

You can find Jennifer Horn on Instagram @Eskyjen and view her Facebook Art Page here. She has been kind, encouraging and a lovely person to collaborate with. As always, thank you for your support. Have a productive week ahead.

Notes 7/3

Coffee with milk in a dark mug
Image by Nicholas Ng via Unsplash

A few days ago, a post from one of our blogging colleagues, supporting peaceful protest, vapourised just as I posted a response to it. The suppression of speech and shredding of proprietary content is only the beginning of the issues plaguing social media platforms. As Upper Echelon Gamers puts it, “Companies do not care about you.”

Many social media users complain about content banned for “reasons” including nebulous and somewhat petty rules violations. Meanwhile, the most vile content continues to be added to those same platforms seemingly without resistance. I once saw a post with an offensive word spelled out on Scrabble tiles. The justification for posting it was wordy. He knew exactly what he was doing and who would be reading. Another subscriber from a different country threatened, from the comfort of his bedsit, to get me ‘deported’ even though I am a long term resident of a country he has never even visited.

I believe that a platform like WordPress has the resources to hire staff to manually review posts flagged by an algorithm, and warn users about community policy violations. It is lazy to smoke every post that uses the flagged keyword or hashtag of the day. If you have a blog, keyword lists are not enough. People who use speech to denigrate others know how to evade the censors.

Brown paper in envelopes with fountain pen
Image by Ankhesenamunn via Unsplash

I once had a subscriber suggest here, on this blog, that “the races” should shove off to a remote part of the world so she wouldn’t have to live in harmony with us. A mutual write-off won’t make the world a better place. I’ve tried to initiate discussions on the problematic phrasing, virtue signalling and outright opportunism that occurs in times like these. Invariably, my remarks bring out a defensive response. I think the best approach is to keep using our blogs to challenge retrogressive ideas in a non-confrontational way: Art, fiction, reflections, photography, poetry, music and film. The resistance is here on WordPress.

That’s why I’m always beating the drum of engagement. As wonky as it is, this platform enables us to see more of the world. Of course it is risky to reach out and start conversations with people we have never met face-to-face. Sure, it can be a painful undertaking. And yes, it might be a terrible idea but in the exchange, I feel that getting noticed disrupts the status quo of toxic ideologies.

This leaves me with a most important question. How do we get closer to those individuals, to influence them away from divisive and destructive ideas, when the voices of the well-intentioned continue to be suppressed?

(^ν^)


Post script: As a side note, it has been five days since my attempts to upgrade this account have been thwarted. Yet, on Dashboard, I see a notice encouraging me to buy a unique domain. That is a machine talking. Not a single peep has been heard from the mysterious Help Desk humans. As far as I am concerned, they have left town.